A provocative moment from Landman has viewers buzzing, and it zooms in on a casual phone exchange that hints at bigger tensions behind the scenes. Though the focus here is a chat between Tommy and his father T.L. during the episode “The Pirate Dinner,” there aren’t any plot spoilers discussed, so you can read on whether you’ve already streamed the episode on Paramount+.
Taylor Sheridan builds worlds where characters often voice his own viewpoints, a pattern that’s hard to miss given his status as a writer with multiple shows to his name. In Landman, he nudges the conversation toward a sharp, surprising target: The View and its female hosts. I’m genuinely curious to see how the ladies on that panel will respond.
In the Season 2 episode, Billy Bob Thornton’s Tommy is juggling a few errands and a long drive when Sam Elliott’s T.L. phones to complain about boredom and being locked out. The scene doesn’t lay out a clear path for future storylines—beyond a possible voiceover gig for Tommy’s neighbor—yet it sets up an exchange ripe with irony.
Tommy’s line of thought points to The View as a source of light irony, while T.L. seems to have no awareness of a show that’s been on the air for decades. Here’s the dialogue as it unfolds:
- TOMMY: Watch one of those daytime shows, like The View or something.
- T.L.: What’s The View?
- TOMMY: A bunch of wealthy women who complain about wealth, politics, men, and almost everything they’ve got a bone to pick with. It’s kind of funny.
- T.L.: That doesn’t sound funny.
- TOMMY: It isn’t “joke” funny; it’s more like a “fart in church” kind of funny. You know what I mean?
- T.L.: That doesn’t sound funny either.
- TOMMY: Well, it depends on how close you are to the fart.
The jab isn’t the harshest thing Sheridan has ever written, and it isn’t as blunt as some of Tommy’s other barbs. Still, it’s a pointed dig at T.L.’s obliviousness to a long-running show’s hot topics. It’s not an endorsement of The View; it’s a critique of being out of touch with mainstream conversation.
From a viewer’s perspective, Tommy’s easygoing critique of the show’s female hosts echoes a broader discussion about how The View has been received. The show itself has faced criticism about its portrayal of women, a conversation that makes Tommy’s remark feel even more layered.
Even if Sheridan personally admires The View, one might expect Tommy to approach the topic with a bit more skepticism, especially since he doesn’t seek political battles. Yet The View isn’t a one-note carrier of Washington chatter; it covers a wide range of subjects, sometimes amplifying fresh angles and sometimes revisiting familiar debates.
As the episode’s tone lands, it will be interesting to see whether the show’s co-hosts notice Landman’s nod—and how they respond. Will they laugh it off as a light rib, or will they push back with sharper commentary? And could this moment ignite a broader conversation about how hit shows comment on each other’s worlds?
In other industry chatter, Bari Weiss—now CBS News’s top executive—has been rumored to harbor a grudge against The View after being passed over for a table slot years ago, and there’s talk of a new daytime rival arising from CBS. Whether Landman’s moment is connected to those shifting tides or stands alone as a cheeky aside remains to be seen. Given when Landman filmed its Season 2 episodes, the remark seems more like a standalone jibe than a reflection of recent corporate maneuvering.
If you’re curious about what happens next, you can catch Episode 6’s trailer below and follow the rest of Landman’s Season 2 journey on Paramount+. A Season 3 renewal has already been announced, raising expectations for new twists and conversations as the show moves toward the 2026 TV slate.
Nick, a Cajun Country native, serves as Assistant Managing Editor with a focus on TV and features. He started at CinemaBlend during the pre-streaming era as a DVD reviewer and TV recapper, and he has since followed the pulse of Yellowstone, The Walking Dead, and horror coverage. Hailing from Louisiana and now based in Texas, he brings a blend of regional perspective and industry insight to his writing—and if you’ve ever heard his music or read his short stories, you’ll know he’s got a broad creative streak.
Would you like to see this scene spark a wider conversation about how daytime talk shows are portrayed in fictional worlds, or do you prefer to keep it as a light, tongue-in-cheek moment within Landman’s larger story? Share your thoughts in the comments.
